From War of the Worlds to UAP Disclosures: Culture, Policy, and the Question of Contact

To the point

Aliens captivate us because pop culture and official inquiry feed each other, a point Fraser Sherman makes as cinema and ideas about extraterrestrials stay in dialogue, spanning Steven Spielberg’s trailer, Orson Welles’s 1938 broadcast, The X-Files, and Roswell myths, with Pentagon disinformation noted, and Andy Weir’s Project Hail Mary—soon a film with Ryan Gosling—promoting empathy and science as the basis for friendship, while Avi Loeb and others warn that contact would be a Copernican shift for humanity and raise religious questions about souls.

csmonitor.com

From War of the Worlds to UAP Disclosures: Culture, Policy, and the Question of Contact

Aliens and UAPs captivate imagination through a loop of pop culture and inquiry—from Spielberg and Trump urging new disclosures to Fraser Sherman’s note of cinema shaping ideas about extraterrestrials—tracing a lineage from War of the Worlds, Le Voyage dans la Lune, and Orson Welles’s 1938 broadcast to Roswell, The X-Files, and Pentagon disinformation, while fiction like Andy Weir’s Project Hail Mary with Ryland Grace and the Eridian Rocky (soon a film with Ryan Gosling) promotes empathy and science-grounded communication as a basis for friendship, a template echoed in Enemy Mine, Arrival, and Star Trek VI, and Avi Loeb arguing that contact would cause a Copernican shift in humanity’s self-image and provoke religious questions about souls, making its occurrence one of humanity’s most important moments.